Gulabo Sitabo: A tale for fragile egos
Na jaane kya man mein aayi upar wale neBanwayi har ek choohe ki billi ek So go the lyrics of Gulabo Sitabo, Shoojit Sircar’s new directorial venture which released on Amazon Prime on June 12 2020. The…
The Apu Trilogy: Satyajit Ray’s labour of love
There is a distinct disadvantage of seeing works of art very early in life. I saw Satyajit Ray’s black and white films somewhere in the late eighties, when I was in high school. I was aware that…
Thappad: Questions our conditioning
The camera stops in front of some affluent Delhi bungalows where two cars are parked adjacent to each other in a driveway. On the left is an ambitious executive who is rushing to office, with his wife…
Chhapaak: Making a splash quietly
The visuals have ended. The screen has turned black. All you hear is Arijit Singh’s soulful voice. The movie has finished. Yet more than half the audience remains seated. Unstirring. Silent. I haven’t seen a movie end…
Do paise ki dhoop, Chaar aane ki baarish: A review
The first thing which grabbed my attention as I was browsing through Netflix was the title of the film. Do paise ki dhoop, chaar aane ki baarish, sounded like something Gulzar might have written, and I was…
Badla: Sujoy Ghosh’s taut thriller
It is after a long long time that I have seen an audience break into applause spontaneously at the end of a movie. The last time I witnessed that was in a Leicester Square cinema hall in…
Gully Boy: The divide and the angst
A young driver watches the owner’s daughter rush into the back seat of the plush car, her eyes streaming with tears. He shuts the door and drives the long drive back home in the silent night, craving…
Movies are like a kidnapping: Books versus their film adaptations
Do authors like to see their work portrayed on celluloid? And when that is done, are they satisfied with the final product? Of course, they do want the film based on their book to succeed. But isn’t…
Jiya jale: Gulzar and his lyrics
Writing subtitles for Hindi film songs can lead to hilarious situations. Famously, the song from Mangal Pandey: The Rising called ‘Mangal mangal’ was translated as ‘Tuesday, Tuesday’! But imagine the chagrin of the person who has to…
Tumbbad: A fable of greed
Gloomy grey skies, incessant dreary downpours and an eerie emptiness that echoes through the length of the film. An abandoned waada enveloped in green moss, antique locks which creak and resound in a lonely house, flickering lanterns…
